Wednesday, September 26, 2012

Wren Music

Wren Music
I had a commision to photograph the staff at Wren Music. They asked for a gothic theme as they were working on a production that required it. The first photoshoot was at Okehampton Castle, a great gothic ruin. The sun was in more than it was out and I had to work very quickly finding the best locations, groupings, expressions etc whilst juggling with the lighting.

Paul Tucker, Wren Music
There was just an hour spent at the castle then it was into town, for another hour, to use an empty drama room of a local school for the next shoot. I had some lighting with me but the theatre spotlight in the room backed by the black velvet curtains gave the gothic look we were all after. A little light was reflected back into the shadows on the faces using a large sheet of white card. The picture compositions to me were all about marrying the musician with their chosen instrument and making something that filled a 3x4 frame in a balanced way. It was a challenge to make each portrait different from the last as there was no time to change the lighting. Again I had to work very quickly, concentrating on the key things like getting the all important eyes open and in focus.A slideshow of all the photographs from this shoot can be seen at my greengallery website.

Tuesday, September 11, 2012

Okehampton Camera Club

On Monday 10th September I had the pleasure of talking with the Okehampton Camera Club; a progressive group of about 25 creative photographers on the edge of Dartmoor.

I used the title ‘Constructive Photographs’ to present and discuss my work. This title can be used to sum up my working practice since the mid-1990’s. It was never a conscious decision to have such an obscure thread running through my work. But it is apparent in 35mm film triptychs, camera-less daylight processes silver images and through my 21st century digital work. The process is rarely hidden in my work and the photographically literate will make the connection of sprocket holes on the edge of a triptych or the hard, unblended, edge of a frame seen around the outside of a huge cave interior landscape.
The presentation in Okehampton was split into two parts; the first being key images in the progression of my work over the last 15 years. Then, after a tea/coffee break, the technical considerations of making these images was discussed and illustrated.

The animated gif above shows the constructing of an early image made in North Devon. This is named ‘Shipload Grotto’, a cave in the difficult to get to Shipload Bay, close to Hartland Point. I should really make an up-to-date animation to illustrate the using of ‘photomerge’ in Photoshop; this one was made using a 2003 Sony Cyber-shot which served me well at the time but it’s lens was prone to chromatic aberration (the coloured edge seen where the contrast between very dark and very light is at the most extreme, like the entrance of a cave). The finished imaged was made from 51 separate frames.

Prior to my talk at the Club, I got a chance to witness their annual show, held this year at the Museum of Dartmoor Life, in Okehampton. This was a great way of getting to know the photographers by their photographs. I was really encouraged by the overall quality of work and the emphasis the club has for creativity and experiment; members seem to be developing their own styles which enhances the overall experience of the exhibition. The show continues until 29th September.

Further reading....Writing this blog I just remembered a hidden page I have on my own website which some of you might be interested in. On it I write about the techniques used in making triptychs and constructed images. It isn't up-to-date but find the page here, it's called secrets.